I suppose there had to be a let down somewhere along this wild ride and X-Men: Second Coming Chapter ø6, you’re it. Spoilers to follow along with a lot a disappointment.

I looked at a preview for this book last week, so I knew I was going to have some problems with it. The problems come from some art choices that were out of place, and must have resulted from a miscommunication among the writer (Matt Fraction), artists (Terry and Rachel Dodson) and editor (Nick Lowe). It’s got nothing to do with the caliber of the work, in fact the issue looks decent although too cartoonish in places for my tastes, but I’ve come to expect this from the Dodsons’ style.

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As Brightest Day, the follow up to DC Comics‘ hit miniseries Blackest Night, officially begins today (issue zero was released last month), ptb and I have taken few moments to reflect on what has come and speculate on what’s ahead.

ptb: The thing that stood out most to me about Blackest Night was the way it made me realize how little I know about the DC Universe. The major players and surface details I get, but as soon as you go a little deeper I’m lost. After reading issue one, we talked a bit about who was who and clarified a lot of civilian/code names. Knowing who people are is one thing, but understanding why they’re important is another. Barry Allen being back is kind of lost on me, but resurrections of guys like Max Lord are a complete mystery. The appearance of the Monitor (or was it the Anti-Monitor?) also didn’t mean much to me although I know it’s a big deal.

KevinMLD: Now you know how I feel when I read about Bastian!

The reason for Barry Allen being back is a mystery to me and so far DC has done very little to demonstrate why he’s something special beyond the fact that he was on the Super Friends when Geoff Johns was a kid.

The Anti-Monitor has played major roles in both Crisis on Infinite Earths and Infinite Crisis as well as the Sinestro Corps War. He single-handedly destroyed the original DC multiverse. That’s literally all you need to know about him. He’s the biggest of the big bads.

Max Lord is a little more complicated and stupid. He kind of ran or financed the Justice League during the 80’s sitcom years from what I know. He has some mind control powers. He was basically ignored as a character for years, but made a comeback just prior to Infinite Crisis. He turned heel in a big way and took over the organization Checkmate, which is a DC universe spy organization similar to Marvel’s SHIELD. He had big evil plans that involved using his mind control powers on Superman to do some supervillainy stuff until Wonder Woman snapped his neck on national television. This led to people distrusting Wonder Woman because no one knew how naughty Max Lord had been.

ptb: A second major issue I had with Blackest Night was the fact that throughout it, I was hearing about what was happening in Green Lantern and Green Lantern Corps and those seemed to be the books I should have been reading. Blackest Night gave the main story from a DCU-wide perspective, but I’m honestly more interested in the spectrum of Lanterns than how Blackest Night affects the Atom (and he may be a bad example since he became a Lantern).

KevinMLD: The Blackest Night story obviously concluded in the Blackest Night main book, but I definitely think most of the major story beats took place in Green Lantern and Green Lantern Corps. The main War of Light stuff took place in GLC, with the adventures of Hal Jordan and the main allied rainbow corps members taking place in the GL book. In fact, the Blackest Night main series felt like it was a tacked on, money grab on DC’s part until the last two issues.

This also reminds me of how I felt reading Civil War. Why did Spider-man side with Tony Stark again? If these companies are going to run major events like this, they need the information that is most important to the story to take place in the main title.

ptb: I read the whole thing and I definitely liked it, but I know there was a lot that I missed. Brightest Day #0 didn’t really change much of this. The tone and perspective of this issue may have been different from what’s to come in order to set things up since it is a zero issue, but it’s going to have a hard time maintaining my interest if it focuses only on the White Ring resurrected characters. The covers indicate that Hal Jordan is involved so maybe that will help.

Both series look great and that’s a big plus, but I’m definitely unsure of how long I’ll be sticking around from here. How many issues does this series run?

KevinMLD: I like that Aquaman is back, but a lot of the other resurrections aren’t very exciting… Especially Hawkman and Hawkgirl (not to be confused with Hawk who was also resurrected) who were killed twice in the last year and Martian Manhunter who just died during Final Crisis. But I am really excited about the resurrection of Deadman. That’s a brilliant concept. Deadman is a character who was completely content being dead. Being dead has always been his gimmick. This is brand new ground for the character. I’m kind of sad that the now “Aliveman” has powers. I wanted to see him just be human for awhile and come to grips with his new life. I hope there are interesting plans in place for him.

Anyway, even as a big DC fan I’m not totally sold on Brightest Day yet as there has been very little revealed about the story and due to the fact that it’s going to run for 26 issues. I’ll be there for the first few issues though.

More on this series can be found at our Brightest Day hub.

X-Men: Second Coming Chapter ø5 hit stores yesterday, and this is the big “death” issue that’s been talked about since the crossover began. I’m never really sure how to handle major plot spoilers in reviews, so I’m probably going to overcompensate. Click through to read on, provided you don’t mind knowing all the tragic details.

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J. Michael Straczynski. JMS as he’s commonly called. I don’t even pretend to know the dude’s name or how to spell it were it not in front of me. Everybody knows something he’s written, whether its the Spider-Man comics that erased 20 years of continuity, Babylon 5, The Changeling… Something.

He’s been at DC for awhile now writing their team-up book The Brave and The Bold. I’ve picked up the occasional issue, but while it’s fun, the book had been nothing particularly special. The stories are all told in a single issue. Cliff Chiang’s art is solid but not spectacular. Also, the fact that they’re telling lost stories plays a part in the book’s blandness… Nothing feels like it counts. Issue 33 isn’t one of those issues, however.

The issue teams up Wonder Woman, Zatanna, and Barbara Gordon as Batgirl. It seemed like an oddball team up if I’ve ever heard of one and yet somehow it was impossible to ignore. The story starts out strangely with Zatanna and Wonder Woman deciding to enjoy a night out on the town.

Half-way through the second act it becomes chrystal clear where the story is going. There’s only one moment it can be leading up to… and yet when we get there the book manages to be surprisingly uplifting.

I don’t know how else to say it… this issue is something really special. If JMS keeps writing stories like this, I’m on board.

Vertigo’s American Vampire marks Stephen King’s first writing work in comic books ever. Several of his stories have been adapted to or expanded upon in the medium, but apparently he’s never written any of those stories. Most interesing of all (to me at least), American Vampire isn’t even a King property. Instead it is a property developed by writer Scott Snyder.

American Vampire follows the adventures of this continent’s first vampire, Skinner Sweet, and each issue is divided into two stories. One of which is written by Snyder and one written by King.

Sweet, as the first vampire created in the United States, represents a step forward in terms of evolution into apparently a whole new species. What exactly that means we have yet to be told specifically. In fact, in a bit of meta-text, Sweet specifies in a note in issue 2 that he doesn’t want to ruin that surprise.

What we do know is that Sweet can travel in the daylight with no problem and survive for years underwater. The book at least suggests that maybe other vampires would not have survived such a flood.

Snyder’s story takes up the first half of the book and features Sweet’s
Adventures in Hollywood in 1925. His character during this era is creepy but his true nature remains unclear. Some of his actions seem typical of an anti-hero.

The second half of the book features King telling Sweet’s secret origin as an outlaw in the old West. During that era Sweet is an unrepetant outlaw. There seems to be nothing redeemable about him. Which makes some of his actions in 1925 more interesting.

We’ll have to see where it all goes.

The art by Rafael Albuquerque ranges from cartoony to having a sort-of-painted feel. Some pages are stonger than others, but I definitely like it overall.

Both stories are oddly compelling. They certainly strive to make vampires more terrifying than the way popular culture has portrayed them in recent years. (Twilight, I’m looking right at you.) The book certainly has more in common with 30 Days of Night than New Moon.

The key problem is something that has been debated for years: Can comics even be scary? While an enjoyable read, American Vampires suggests no. It is not scary, at least not in the way a film or a novel can be… even when written by inarguably the most successful horror writer of the last 30 years.