I find Doctor Who most enjoyable when it’s mysterious, full of accidental occurrences, and designed to frighten children (and you can include Angie in that). The Time of Angels has all of this going for it along with the added bonus that it’s part one of a two-part story. Spoilers to follow.

The action centers around one of the most fascinating of the recent additions to The Doctor’s rogues gallery, the Weeping Angels. First introduced in the episode Blink a few years ago, it seemed like it would be difficult to top some of the madness the Angels bring, but the inclusion of the mysterious River Song set the stage for a fantastic episode. From the dynamic and cleverly constructed opening to the seemingly inescapable conclusion, this is the type of episode that should make anyone love this show.

The mystery of River Song deepens as we see that she and The Doctor keep meeting in the “wrong order,” which is especially tragic as viewers saw her demise during her first appearance in the episodes Silence in the Library/Forest of the Dead. While she was known as Professor River Song at that time, this River Song is actually a criminal trying to earn a pardon and is thrilled to know she’ll one day receive such a prestigious title.

We learn a great deal about the Weeping Angels from an ancient book about the creatures that is the only writing of its kind. Any image of an Angel becomes an Angel because of their unique nature in the timestream, and this threat includes any mental image. It’s also made clear that staring into the eyes of an Angel can give it influence over the mind of the observer. If the Angels weren’t creepy enough, these concepts add a whole new level of scary.

The inclusion of the military squadron of “clerics” as River’s escort while on work release made for a great dynamic and makes for a great commentary on the future of organized religion. There is a fun twist about the nature of the crash that brought everyone to the planet leaving them all in the gravest of danger.

The return of two of the most intriguing concepts from producer Steven Moffat required an exceptionally strong story and this one does not disappoint. It’s clear that there’s a larger story framework in place that is being masterfully revealed over the course of several seasons. Can’t wait to see what’s in store next week.

More on Doctor Who 2010:
Victory of the Daleks / Flesh and Stone

Spoilers to follow. Despite being a Dalek episode with some interesting moments and obvious set up for future episodes, this was the weakest offering so far this season. You’d think I’d love this one since it has an Empire Strikes Back-like ending.

I just didn’t like that the Dalek’s scheme to activate the Progenitor device relied too much on them predicting exactly what The Doctor would do.  The telephones ringing also made me a little crazy, and I just couldn’t get into the “gravity bubble” fighter jets. Also, I just don’t see The Doctor leaving the android to live out his life on Earth and find his humanity. That’s a major piece of alien technology running around since the 1940’s and we’ve seen him prevent that very thing in the past. He even takes the time to dismantle all of Professor Gracewell’s other devices in this episode.

I liked the World War II setting and seeing Daleks in camouflage, serving tea and being called “Ironsides” was kind of awesome. This deception created an opportunity for The Doctor to interact side by side with the Daleks without being under the threat of death. As a result, there are times you almost doubt The Doctor. Everyone around him certainly did. You see more of The Doctor’s dark side/mania as he lashes out at the Daleks, playing right into their suction cups with his “testimony.” It’s really tragic to hear The Doctor utter “I wanted to know what they wanted, what their plan was. I was their plan.” These new Daleks could be interesting and the notion of them being “pure” Daleks has me thinking a trip to their home planet of Skaro may be in the Doctor and Amy’s future.

Again we’re presented with the theme of forgetting as Amy doesn’t remember the Dalek attack on Earth. This could be a consequence of her choice on Starship UK, or it could be part of something bigger going on with Amy. Considering we once again see the crack on the wall as the TARDIS dematerializes, it must be something big. I can’t help but think the crack has something to do with Amy saving the day again. I’m beginning to wonder if maybe that’s not a good thing. It seems like just after she does, we see the crack. We also see that The Doctor is late again…

Next week, Weeping Angels and River Song. This should be fantastic.

More on Doctor Who 2010:
The Beast Below / The Time of Angels

Spoilers to follow. This week’s episode is set on Starship UK inhabited by 29th century refugees who have fled the Earth due to solar flares. Early on we see kids in a creepy school given grades by an even creepier carnival machine man called a Smiler. It’s interesting to note that there are more zeroes carrying over from the season premiere in the children’s grades and the elevator as it sends a failing child “below.” I can’t imagine this is coincidental.

The episode goes a long way to establish a connection between The Doctor and Amy. She learns a great deal about the Doctor’s history and his ways when she chooses to forget the secret she discovers about the ship they’re aboard and tries to make a decision for him. We even see some darkness in the new Doctor as a result, as he makes it clear that she “doesn’t ever decide what [he] needs to know.” Despite the disagreement, we see that she understands who and what he is and her power of observation is critical to saving the day.

A highlight of the episode was the introduction of Liz Ten (as in X), a great character who has led a tragic extended life as the Queen aboard Starship UK. Her connection to The Doctor and his centuries long interactions with the royal family made for some fun references to past episodes.

One of the things that stood out to me was the little rhyme sung by one of the children that mentioned “one with a smile and one with teeth.” I couldn’t help but think this might have been a reference to The Doctor and Prisoner Zero. A preview for the rest of the season showed some women with teeth like Prisoner Zero so we might be seeing more one this.

There have also been some interesting connections between Amy and Donna as they’re both redheads, about to get married, run off with the Doctor, and have to forget things to survive.

So far great continuity between episodes with the crack in time, Amy’s observations, and The Doctor being chronically late. It’s shaping up to be a fun season and there was a nice tease at the end of this episode with the shadow of a Dalek. Overall, I think episode two may have been even stronger than episode one.

More on Doctor Who 2010:
The Eleventh Hour / Victory of the Daleks

It’s been a long time, but the new season of Doctor Who came to BBCAmerica last week. The show opens right where the last episode left off, with the TARDIS crashing and the new Doctor holding on for dear life while everything burns, before going to new opening credits complete with a new logo. I’m probably going to spoil some things here, but not everything.

The Doctor finally crashes seemingly in response to young Amelia Pond’s prayers to Santa help with a crack in her wall. After the two meet, we get a great scene with a regeneration crisis revolving entirely around the taste of food in a new mouth that begins with apples and is finally satisfied only by fish sticks and custard.

The scene sets up the new Doctor and Amelia’s whole relationship brilliantly. We get to see Matt Smith really establish himself as The Doctor along with Amy, but without having to compete for attention with Karen Gillan who plays Amy as an adult. We also learn that Amy is very observant, not afraid to ask questions, not afraid of anything really except the crack in her wall. So it must be a scary crack…

After determining the crack is in fact a crack in space and time and closing it, we learn that something called “Prisoner Zero” has escaped through it to Earth. Before he can investigate further, the Doctor is forced to run back to the TARDIS after sensing a greater emergency. He tells Amelia he’ll be back in five minutes, and even though you know what’s going to happen, it’s still heartbreaking when she packs her suitcase and waits for the Doctor to return and the five minutes becomes 12 years.

Upon returning to find the adult Amy, we learn that Prisoner Zero is a creepy shape shifter that’s been deceptively hiding in Amy’s house all this time. Also during the twelve year gap, Amy has been through 4 psychiatrists trying to cope with meeting her “imaginary friend.” As the adventure continues, we see that everyone in Amy’s life (her aunt, her cousin Jeff, her “boyfriend” Roy) recognizes The Doctor from Amy’s cartoons and can’t believe that he’s real.

One of the greatest aspects of this episode is that even though all of the Doctor’s usual gadgets like the TARDIS, psychic paper, and the sonic screwdriver are present, they were taken off the table giving The Doctor only has 20 minutes to save the world from the Atraxi who have come to Earth to recapture Prisoner Zero. There are also some great twists like the references to “the human residence” and the way Prisoner Zero takes advantage of the years it’s had to bond to Amy.

The dialogue is brilliant throughout, but I particularly enjoyed the Doctor’s credentials when convincing the world leadership to listen to him: “the real proof to Fermat’s theorem,” “why electrons have mass,” and “faster than light travel with two diagrams and a joke;” and the ominous words Prisoner Zero leaves the Doctor with: “The universe is cracked. The pandorica will open. Silence will fall.” The threats made to the Atraxi were also great, and the video reel of the Doctor’s history on Earth sent chills down my spine. I love this show.

All in all, this was a great first episode for all involved setting up the new players and threats. I am always a concerned that I’m not going to like the new Doctor whenever he regenerates, but each time that goes away pretty quickly. Matt Smith is fine and may even turn out to be great. This was certainly a good start. I already love Amy Pond. It’s interesting that the Doctor is traveling with an other redhead whose wedding he’s delaying. I also remember noticing the music and liking it quite a bit.

The commercial breaks on BBCAmerica featured inside looks on the new season of the show with interviews of Executive Producer Steven Moffat and the cast (thanks, BMW). This show is in great hands and we even get a glimpse of how things might come together as the season plays out when Amy asks why The Doctor why he wants her to come with him. The Doctor passes it off as loneliness but we see a prominent crack on a screen inside the TARDIS and the music gets ominous. I’ll save my wild speculations for another post though.

The next episode of Doctor Who airs tonight at 9PM on BBCAmerica.

More on Doctor Who 2010:
2010 Season Preview / The Beast Below

Here’s a quick weekend follow up to two of last week’s posts.

Just when you thought the puzzle was complete, Marvel filled in three more little pieces that could turn Spider-Man’s world upside down in 2010.  Is that Peter and Mary Jane’s long missing baby?  Would Marvel go back to this story after dropping it like a radioactive potato 13 years ago?  Only time will tell, but while I’m incredibly excited for things to unfold I’m reserving judgement.

Doctor Who – The End of Time has aired in its entirety in the U.S. and an international trailer for the next season is now available from the BBC for all to see.  Some exciting things are planned for the new Doctor and as far as I’m concerned they can’t get here soon enough.  Looking through the chatter regarding the trailer, Matt Smith already has some fans as well as detractors, but I’m willing to trust the show in the hands of new executive producer Steven Moffat, writer of some of my favorite episodes including The Girl in the Fireplace, Blink, and Forest of the Dead.

More on Doctor Who 2010:
2010 Season Preview / The Eleventh Hour