So this Blackest Night stuff is pretty cool.  I don’t read a lot of DC comics (and by this I mean any) on a regular basis, but I was getting a lot of suggestions from people that this was going to be a great book.  My intention was to stick to the 8-issue mini-series and not buy all of the tie-ins and spin-offs that are bound to be a part of this event.  However, when I went to my local comics shop last week, they didn’t have any more copies of North 40 so I used the money to pick up an issue of Green Lantern that serves as a prelude to DC’s new event series, Blackest Night.  I’m probably going to spoil things that happen in these books, so consider yourselves warned.

Green Lantern #43 (GL43) was totally creepy and a clear example of a comic that isn’t meant for kids.  It tells the back-story of the Black Hand (a character I have no familiarity with (like a lot of DC characters)) and how throughout his life he’s been surrounded by death.  I got what was going on and how he was selected to lead the Black Lanterns (a group of undead villains powered by black rings and a black battery in Space Sector 666), but what I don’t understand is why this is happening now.  Is it because Hal Jordan (The Green Lantern) and Barry Allen (The Flash) came back from the dead? Or is this one of the mysteries of Blackest Night?  The main things that might be missed if you didn’t read this issue are the life history of the Black Hand, his transformation into the leader of the Black Lanterns, and the fact that the Oa gnome with the scar on his face is the one who seems to have started the whole thing.

Upon finishing GL43, I went and dug up the Free Comic Book Day (FCBD) Blackest Night #0 (BN0) issue that I picked up back in May, but  hadn’t read (and was lucky to be able to find given the current state of my collection).  BN0 was a cool set up and bridged the gap between GL43 and Blackest Night #1.  I don’t know if that was necessary, but it’s interesting on its own and it was free.  The pages in the back describing the powers and members of the various groups representing the emotional spectrum was incredibly helpful and I referred back to it a number of times while reading Blackest Night #1, to summarize:

http://sinccolor.deviantart.com/art/Blackest-Night-114033719

Red = Rage
Orange = Avarice
Yellow = Fear
Green = Willpower
Blue = Hope
Indigo = Compassion*
Violet = Love
Black = Death

The main event, Blackest Night #1 was a really fun book.  Granted it was more set up for the most part (although it’s set up for the entire DC Universe), but a number of significant things happen.  Hawkpeople are murdered, Bruce Wayne’s skull gets carted around town (although I have suspicions that it isn’t actually Batman’s skull), and thousands of Black Lantern rings distribute themselves across the universe awakening the dead to serve in their mission to kill everything.  A nice background is given for the Green Lanterns of Earth, most of whom I have only the most cursory of knowledge of.  My only complaint is that in a few scenes names were being thrown around that I didn’t recognize and I wasn’t sure what the significance was.  The book made me want to know more though.  The artwork was top notch, and rendered an amazing number of characters (both living and dead) beautifully (and incredibly creepily).

I’m intrigued.  I will certainly continue with Blackest Night, and I’m even interested in checking out the stories that got everything to this point.

*Thanks to the commenter below for the correction.

Another batch of great images for Marvel’s 70th Anniversary variant covers have been released over the past few months and I thought it was worth posting an update.  While these covers are really cool, I’ve come to discover that they are incredibly difficult to find since my last post.  At least this seems to be true in Philadelphia as I’ve come across only one shop that regularly has them in stock, Brave New Worlds on 2nd Street.  This is by no means the fault of local shop owners, that blame falls to Marvel for using their ridiculous order minimum system to allocate these books.

Long before we had this outlet to discuss the distractions in our lives, I spent four months consumed with a Marvel Comics crossover event called Messiah Complex (also check out this).  Drawing together four different titles and running weekly, I couldn’t wait for each installment to arrive.  I even started going to the nearest campus comic shop I could find on lunch breaks to get each week’s issue.

In April, Marvel launched the sequel to this event called Messiah War running through X-Force and Cable (which began (actually were relaunched) in the aftermath of Messiah Complex).  While smaller in scope and published less often, Messiah War has been satisfying so far (we’re currently at part five of seven) and I can’t wait to see where it’s all heading.

While continuing the story of the mutant child/possibly savior/possibly destroyer Hope, Messiah War has also managed to incorporate classic X-Men characters and concepts including: Archangel, Apocalypse, Stryfe, Deadpool, The Vanisher and of course time-travel.  Well worth checking out the issues currently in print (or reading once it’s collected) if you’ve ever enjoyed epic X-Men action.

Went out to see the X-Men Origins: Wolverine on Friday, and while nearly everyone in the group seemed to think it was a bad movie, I was able to enjoy it.  Did it take liberties with the interpretation of the characters?  Yes.  Did it focus more on the action than a story?  Yes.  Did it have shortcomings with its appearance and computer generated images? Yes.  Despite all of this, I don’t know that it was bad.  It wasn’t great, but I really don’t think it was bad.

Granted, I will fully admit that I’m happy to see any comic book property made into a film.  Add the fact that I’ve been reading X-Men since I was 10 years old, and it’s pretty clear that I cannot be fully objective in this.  Regardless, I think the movie is OK.  Also, Shoeverine!

Ok so I maybe didn’t buy it or read it. But I just have to ask: Why would anyone pay $4 for a comic written by Chris Claremont in 2009? Seriously Marvel… your comics are too expensive and Chris Claremont hasn’t been a good writer in a long long time. Sorry Pete.